Tag Archives: Writing

Writing and Body Image and Liking Yourself

16 May

This morning, I did something I shouldn’t have.

I poked around online and saw that someone had made a snide comment about something I had done with one of my books. It wasn’t directed at my writing, but at me, and the comment was such that I felt bad about myself not only as an author but as a person.

I know I should stay away from reviews. I know that I am asking for trouble by daring to look at them, and most of the time I don’t. Not everyone will like my books, or me, and that’s okay. But I did look this morning, and I can’t change that now. I had woken up feeling energized and productive, optimistic about my day. Then I saw this thing, this one comment, this speck of a blight on an otherwise fine day, and I felt myself deflate. The comment pricked a hole in my happiness, and I felt confidence begin oozing out, abandoning me.

My first thought, as I sat there experiencing this, was: “I’ve felt this before, and recently.”

In fact, I felt it the other day at the gym.

Now, I’ve never been a skinny girl. Even when I was a child, limbs everywhere, spending my evenings running around the neighborhood with the kids down the street, I was never one of those people with a naturally slim stature. And when I entered middle school, and there was less running around the neighborhood and more studying (and more practicing my trumpet, and a sudden abundance of sweets and snacks available at the school cafeteria during lunch), I started noticing a change in my body.

My awareness of others and how they perceived me was changing too.

hermione_hair

Seriously, like this.

I started noticing how my body compared to others’ — not only to the bodies of my friends, but the bodies of celebrities, people in advertisements, people on magazine covers. I started noticing that my hair was unfashionably wavy — not in a glamorous way, but rather in a Hermione Granger pre-Goblet of Fire way — and started spending hours in front of the mirror trying to make it lie flat. I wanted it to look like the hair of the popular girls. Of course it never did look like that, and sometimes this made me angry and sometimes it made me cry. My skin was changing, too; I started experiencing breakouts, and thus began years of trying different medicines and creams and dermatologists. I started wearing make-up to hide my skin, which of course made it worse. I started examining every inch of myself in the mirror with a harsh, critical eye.

For much of middle school, I felt somehow less than all the much prettier, much less awkward girls around me. I was obsessed with creating a different image for myself, a more like them image, and sometimes it hurt. After all, we aren’t meant to be something we’re not.

High school was better. In fact, I pretty much adored high school. I was still awkward, but I found peace in, of all things, band. I excelled at playing my instrument and I earned leadership positions, and I studied hard and continued to make great grades. I didn’t always like myself when I looked in the mirror, but who does? The important thing was that I had great friends, and that I was busy. Even when I felt at my ugliest, I didn’t have time to linger in the resulting sadness for long. I was just too busy.

Then college hit. For a while, all was well. Then I changed my major and slipped into a period of depression. I would say that throughout my early twenties, I floundered personally and creatively. (Again, who doesn’t to some extent? But regardless . . . ) I ate too much and did too little. I gained a good deal of weight, which I didn’t fully realize at the time, but now that I’m much healthier, I can look back and see it, and I cringe.

Things are different now. I’m a writer, and I’m happy. I’ve found what I’m supposed to be doing, and it’s not always easy, but it is always right. That, among other things, has given me the confidence to start taking care of myself. I’m eating better than I probably ever have, and I’m more active than I’ve been since those early neighborhood ruffian days. On the whole, I am proud of myself, and happy.

And yet . . .

The other day, I saw a woman at the gym. She was one of those impossibly gorgeous and fit women who doesn’t seem quite real, like she was magicked to life directly from the pages of the latest issue of Shape magazine. There I was, enjoying my workout, taking pride in the sweat dripping down my back, the burning of my muscles, and, yes, even my reflection — because I could see the evidence of the work I’ve been doing, how my body is changing and becoming stronger — but then.

But then. I saw the woman.

kate_beckinsale_2

Seriously, like this. Except blonde. And not Kate Beckinsale.

Let’s call her Elizabeth Hornswoggle because I don’t know her real name and Friends never gets old. (Oh, it does, you say? Well, you are wrong.) The minute I saw Swoggle, I felt that same prick in my happy bubble, that same stab of sudden vulnerability and inadequacy and shame that I felt when I read that comment this morning. All at once, the fact that I had only a few minutes ago felt great about myself and all the work I had done meant absolutely nothing. I looked at my reflection and felt ugly. I felt less than. I got angry at myself: Why did you eat that cookie the other day? Why don’t you run more often? Why don’t you look like Swoggle over there?

I pushed myself through what was left of my workout, though Swoggle had drained my confidence. However, I spent much of the time inspecting my reflection for flaws and probably not getting as much out of my exercise as I should have.

But here’s the thing, and I realized this later, once I worked past that initial sickening surge of self-loathing:

1) Swoggle didn’t drain my confidence. I allowed myself to lose confidence at the sight of her. I allowed myself to have this unhealthy reaction.

2) The question Why don’t you look like Swoggle over there? is totally irrelevant because I will never be Swoggle.

I am not Swoggle. I am Claire, and my body is not hers, but mine. Instead of allowing the sight of her to make me feel bad about myself, instead of wishing obsessively for a body like hers and letting the impossibility of that derail me, I should focus on me — my body, my workout, my health. What I can do for myself within the confines of my own life and its demands upon me.

I have worked hard to become a healthier, more active person, and in my more positive moments, I am proud of that. I have always struggled with eating too much, with inactivity, with hating my own reflection. I have never been a skinny girl, but it’s not about being skinny, and it’s not about trying to be Swoggle; it’s about being healthy, and happy, and me, and I’m finally getting to that point.

In fact, incidents like what happened with Swoggle occur far less frequently now. More often than not, I look in the mirror and am happy with what I see. I have learned to be kinder to my reflection, and to myself in general. I am still learning.

Unfortunately — and surprisingly — I think it has become easier for me to adopt this positive mindset about my body than about my writing. And the really sad thing is, I see this so often in other writers as well.

writerly_sads

How I think writers — including me — often perceive themselves. Source

We writers are by nature a neurotic, obsessive, highly emotional bunch, and many of us are also natural information seekers.

We are curious, inquisitive. We want to know things. So we seek out new life forms and new civilizations information about what others are writing, and how they are writing, and how quickly they are writing, and we fixate.

We allow ourselves to feel somehow less than if we are not living up to whatever phantom expectations we have set for ourselves by comparing our work to the work of others — or, perhaps even more destructively, trying to make our work like someone else’s.

We read beautiful books and instead of thinking for a brief moment, “Wow, that was great, I wish I could have written that,” we think, “I will never be able to write like that,” and we dwell on that feeling of less than, of lack. Instead of accepting that of course we will never write like that because that author is that author, and we are us, we allow ourselves to feel inadequate, or that we are doing something wrong.

We allow our minds to take us to these unhealthy, unproductive places that so distort our own perception that when we look at our work, we see not the beautiful parts, not the strengths, but the flaws. We ignore the truths that we are working hard, that we are learning, that we are growing as writers with every new word we write, until we cannot perceive those truths at all. Our perceptions of ourselves become so distorted, in fact, that one offhand comment, one thoughtless remark, can shatter the confidence we have worked so hard to build.

Why do we do this?

Because we are trying too hard to be Swoggle — to be the girl on the cover of the magazine, to be the popular girl, to be the bestseller, to be the cool girl who always has something clever to say, to write faster, to run farther, to look younger, to write cleaner drafts.

But we will never be Swoggle, friends. Why waste our time trying? It’s not about being Swoggle.

It’s about seeing Swoggle and still being able to look at your work, look at yourself, and know that it may not be Swoggle but it’s still pretty damn great.

It’s about seeing Swoggle doing her thing and then going right back to doing yours — continuing to work, continuing to learn and grow and build, and push yourself, always pushing yourself — with sweat dripping down your back and your fingers cramping and your brain hurting and MAN you could use a cookie right now and BY GOD YOU SHALL HAVE IT. And you will still think you are beautiful and capable after eating it because you are.

(It may even be about Swoggle saying something mean about you, or giving you a disdainful look because you do not look super attractive when you work out, and you not giving a flying flip because you’ve got too much to do and accomplish and learn to care what anyone else thinks, and what kind of a name is Swoggle anyway?)

It’s about letting your Hermione Granger hair flow free like the WIND, and loving your flaws just as much as your strengths, because without any of them you wouldn’t be you, and the things that you can do — your potential, your beauty, your stories — wouldn’t exist.

Let’s look in the mirror and be proud of what we see. Let’s look at our work and be proud of what we can do — what we have done, what we are doing, what we could do and will do because we’ll never stop working. Let’s work so hard that we feel too good about our progress to care what others think, or what others do or look like or say.

Let’s be kind to ourselves.

Let’s be ourselves.

And let’s rock it.

mlp_like_a_BOSS

~*~

Being Patient with Yourself, and Finding the Book Inside of You

4 Feb

Okay, so I have a story to tell you, along with what I hope is a helpful piece of advice (for you, and for me).

But first, I must give a huge thank you to everyone who helped make last week’s The Year of Shadows cover reveal so fun and successful. I find the behind-the-scenes process for the cover design and illustrations utterly fascinating, so I was thrilled to be able to share these talented artists’ insight with you!

If you missed last week’s cover reveal, you should check it out! The three posts are here, here, and here. Don’t forget to comment on each post for a chance to win one of seven awesome prizes — including an ARC of The Year of Shadows!

~*~

All right, so, my story. (And I promise I am not making any of this up.)

This past Saturday, I took the train to New York City to attend a panel about middle grade fiction put on by librarian Betsy Bird. The panel was outstanding, but that is content for another post and not the story I want to share with you today.

The story I want to share is about my guardian writing angel. I met him, I think, at Grand Central Station that morning.

I had stopped by Posman Books to sign stock, beecause one of the booksellers there is a huge fan of Cavendish. The store wasn’t open yet, so I stood there messing around on my phone and looking at their lovely book displays.

Then, an elderly man approached me. I was wearing my headphones — DO NOT DISTURB code for most people — but he waved at me and pointed at a book in the window. “Excuse me,” he said, “I’m sorry to bother you, but you should really read this book.”

I don’t remember what book it was now. At the time, all I could think was, somewhat irritably, “Great. Back in the city for all of five minutes and already the crazies are after me.” But I’m not great at shunning people, even the crazies, so I smiled politely and said, “Oh yeah? It’s good, huh?”

The man (I’m going to call him Clarence, for obvious guardian angel reasons, and also because he honestly looked like a Clarence) regarded me with this tiny smile and a twinkle in his eye, studying my face. He was well-dressed and well-spoken, wearing glasses and a newsboy cap and a neat little jacket, but I still felt uncomfortable being scrutinized.

Finally, he said, “What’s your name?”

ARRRRGHHHH. I did not want to deal with this. Later, my boyfriend and my mom, the latter of whom is a self-professed cynic, said Clarence sounded creepy and pervy, and that they would have walked away. But I just couldn’t be rude. So I said, “Claire.”

Clarence smiled. “That is a beautiful name.”

“Thank you.”

“What do you do for a living?”

“I’m a writer.”

He paused a little, like seeing me anew. “What do you do for a living?” he asked again.

I tried to figure out what the trick was here, and came up with nothing. “I’m a writer.”

Clarence’s eyes became even twinklier. “How old are you?”

“26.”

“Ah. So young. Writing is like wine. You must age to become truly great. Writing comes from experience, from life.”

This was the point where I started feeling less wary and more . . . spooked? Like Clarence could somehow read my mind and see what I’d been struggling with the last couple of days. Which, I mean, guardian angel. Of course he could read my mind.

“So,” I said, “I guess I should say, I’m 26, and I’m learning how to become a writer.”

He gave me a huge, toothy grin, and pointed at me. “There you go. Brilliant.”

Then he continued, and here’s where I started to get pretty emotional: “What you do is spiritual. Writing is a gift from God. Do you understand this? Not everyone can do it.”

And he’s right: Not everyone can do it. And I agree with him that writing is spiritual. I’m not sure what I think about God and the universe; I’m no theologian, and my interpretation of God is more akin to, like, the Force from Star Wars and Dust from His Dark Materials. But, when I write, do I feel closer to the world around me, and the people living in it? Do I feel that it is what I should be doing, and that I can bring happiness to others by doing it?

Absolutely.

Clarence wasn’t done yet, though, and here was the real kicker: “You must be patient with your abilities,” he said, pointing at me for emphasis. I didn’t feel like I was being lectured by a crazy man, though; I felt like, in a spiritual, Dust-shimmering way, Clarence was seeing me, and knew what to say to help me. “It takes time,” he said, “to find the book within yourself.”

I teared up, grateful. This was just what I needed to hear. Clarence had no idea how timely his words were. Or maybe, he did.

“Thank you, sir,” I said. “You are so right.”

Clarence smiled again. I bet he smiles a lot; it looked comfortable on his face. “What’s your name again?” he said.

“Claire.”

He took my hand, and shook it. (When I recounted this to my mom, she said, “ACK. He might have transmitted a disease to you or something!” Which, fair point, Mom.)

“So, it’s in your name,” he said. “Clarity. You will find your book. You have it inside you already.”

Then he turned and left, heading into the bookstore, which had opened during our conversation. But when I finished tweeting about this a couple of minutes later and followed him inside, I couldn’t find him anywhere.

In other words: ANGEL.

Or, as the more skeptical amongst us might posit (*ahem*boyfriend*ahem*), a man who just happened to be standing there, a man whose words I interpreted to fit my situation because I was searching for comfort, and any other person would have interpreted what he said to fit their own, different situation.

But isn’t it more succinct — not to mention romantic, and I am that at heart — to say he was my writing guardian angel? I certainly think so.

Regardless, angel or not, Clarence reminded me of something very important, and something with which I constantly struggle:

You must be patient with yourself.

Now, obviously, you can apply that to anything, not just writing. But for me, I relate it specifically to my writerly ambitions, which are quite lofty, and often seem too big for me, like I’m a child fumbling around with oversized dress-up clothes, looking in the mirror and desperately hoping to see my glamorous and accomplished and not at all awkward adult self.

They are ambitions into which I must grow. Logically, I know that; I haven’t been writing for that long (I am not one of those writers who started writing at 12 and can boast a catalogue of trunk novels). But I’m not always — seldom, in fact — patient with said growing. I want to Write Great Books Now, and I often become frustrated because the books in my head don’t always transfer to the page like they’re supposed to on that first try — or even on the second try, or the third.

Because I don’t want to write just solid books, not just good books, but great books, books that will stand the test of time, books that inspire and ask universal questions and do so much more than entertain, books that I would put on my bookshelf next to His Dark Materials and The Last Unicorn and Harry Potter.

And, as it turns out, writing great books is hard.

(Who’da thunk it?)

I don’t mind the work of writing — or, I should say, trying to write — great books. I relish it, in fact. Art is hard. Art should be hard. If it were easy, everyone would be able to do it, and then it wouldn’t be special anymore. I like that writing makes me frustrated, and stretches my brain, and demands so much of me. I like working, and working hard.

I just wonder: Does it ever get easier? And if it doesn’t, does that mean I’m doing something wrong?

And then, of course, thinking those things makes me impatient with myself, and impatience leads to frustration, and frustration leads to discouragement, and despair, and pretty soon I’m stuck in the murky waters of TVDSL. And no one wants to be there.

It’s so easy to look at others and self-destruct, because I’m not working as fast as they are, or I haven’t achieved their level of artistry. It’s so easy to look at the vision I have for my own future, and start raging that I haven’t become who I want to be yet.

I hate that I do that, and I’m constantly working to overcome that tendency. It’s not being very kind to the books living inside me, the books waiting to be carved into being. And it’s not being very kind to myself, either.

This post is getting long, and I feel myself teetering at the edge of a magnificent ramble, so let me just wrap up by paraphrasing Clarence’s wise words:

Be patient with yourself.

Be patient with your abilities.

Be patient with your dreams.

You will find the book inside you. It may take longer than you think, and it may not happen like you imagined it would, and it will be hard — and it should be — but you will find it.

It’s already there, inside of you.

~*~

Coming to Terms with Your Writing

26 Sep

When I first started writing, I spent a lot of time online researching what writers should and should not do. There are many rules floating around out there dictating what supposedly makes for a good writing process and a bad writing process, a good writer and a bad writer, a book that will sell and a book that won’t.

Some I have encountered are:

  • You must write every day.
  • You should NOT write every day.
  • You should write [insert number of choice] words per day.
  • You should make a writing schedule and stick to it, absolutely no excuses.
  • You should be writing [insert number of choice] books per year if you ever hope to make a living in this business.
  • You must write at this pace.
  • No, this pace.
  • No way, THIS pace. Slackers.
  • You should write at least one million words before even thinking of querying an agent with a manuscript; before then, you’re not ready.
  • You should create an account for THIS social media service, and THIS one, and THIS one too, and post THIS many times a week.
  • You should blog regularly, on a set schedule, and stick to it. If you blog irregularly, you’re a bad blogger/writer/human being.
  • You should use Scrivener.
  • No, you shouldn’t.
  • You MUST outline, in detail.
  • You MUST outline, but only the main plot points.
  • Eh, you don’t need to outline.
  • You should plan your book around this method of story structure.
  • No, this one.
  • No, those suck, THIS one.
  • You should query one agent at a time.
  • You should query five agents at a time.
  • You should query ten agents at a time.
  • Your book should be between [number] and [number] words long, and anything else won’t fly.
  • You must use critique partners.
  • Your first drafts should look like this.
  • You should only have to do [insert number] rounds of revisions; anything more, and something’s wrong with you/your book/your soul.

Frankly, these shoulds and shouldn’ts start contradicting each other pretty quickly, and it can make a fledgling writer feel pretty lost. Heck, I’m all fancy and published now (and I say that tongue-in-cheek because there’s not much that’s fancy about it, and also, I still don’t feel like I know what I’m doing), and reading these kinds of statements STILL makes me feel pretty lost. They also, if I focus too hard on them, make me feel like I’m doing everything wrong when I can look at what I’m producing and rationally know that I’m not.

Rules can be a good thing. As Victoria Wright might say, rules help the world run just so.

But writing is not always a quantifiable activity. Much of it is instinct, luck, and plain old dogged persistence, whether that’s rigidly scheduled in a spreadsheet or just crammed into whatever spare thirty minutes you can find as your day allows it. And much of what works and what doesn’t for one person’s writing doesn’t translate to the next person. Therefore, I would say that many of the so-called universal writing rules we might see in blog posts, online articles, and tweets are really just what the author has found to work for herself, or for her friends, or for the majority of people within her peer group.

But that doesn’t mean it has to–or will–work for you (or for your book).

Such a statement seems elementary enough (everyone’s different! we’re all unique snowflakes!), but I still have a hard time accepting it. I’m a person very influenced by others, for good or for ill. This means some of my most productive writing days are when I’m “sprinting” online in the company of friends; this also means that other’s successes, failures, methods, and “musts” all have a way of affecting me deeply. I start to think I’m not doing enough or that I’m not doing it right, and then I lose confidence, and then I sit there staring at a blank Word document while scarfing down a box of Cheezits.

The thing is, I don’t do half the things on that list up there above.

I don’t use Scrivener; I have a notebook in which I scribble random thoughts. The rest is done in plain old Microsoft Word, with a lot of world-building and character notes jotted down in Notepad.

I don’t use critique partners. There is one good writer friend whom I trust to look at my unpolished work, but beyond that, no one looks at my books before my editor except for me and my agent.

I outline in detail, but I don’t have a set writing schedule every day, nor do I log my word counts or have micro-goals of any kind. I tried doing that, but it didn’t work for me because if I didn’t meet a goal for the day (or the week) I felt like a failure, and my work suffered for it. Instead, I shoot for big goals (finishing the book by this date) and as long as I meet that big goal, what happens until then doesn’t matter.

I write long what I call “zero drafts” (that is, the first ever draft of the book, before I make preliminary cuts, before I send to abovementioned good writer friend, before I send to agent). And when I say long, I mean long. And even beyond that, once a book has gone through revisions, it’s still on the longer side. I’m just plain wordy (as you can tell by reading this post and really my blog in general). Take a look at this picture:

This is my second book, The Year of Shadows (on the bottom), which is in copy edits stage. That means, it’s been through revisions with my editor and the content is largely set. Changes from here on out will be technical and minor. On the top is the zero draft of my third book, Winterspell.

Looks innocent enough, but what you can’t tell by looking at this photo is that this draft of The Year of Shadows is approximately 26K words shorter than it was in zero draft stage. And Winterspell? It’s way way long, and I will probably end up cutting about 20K during revisions.

What does this say about me and my writing?

Absolutely nothing. Except that I write long and then cut back during revisions. It does not reflect on the quality of my writing, the effectiveness of my methods, or how I measure up against the writing and methods of others.

Likewise, my method of outlining, my writing schedules, the fact that I only have one beta reader, etc. etc., means nothing except that this system is what works for me and my books. End of story.

You hear that, brain??

So I’m going to tell you this, in hopes that myself, through writing it, will soak in the reminder (and because I know there are others out there who, like me, doubt and compare and wonder if they’re nuts or stupid or somehow wrong for writing like they do):

The way you write is not necessarily how others write.

Your books are not going to be as [insert adjective of choice] as others’ are.

Your writing will be just that: how you write.

Your books will be just that: your books (and no one else’s.)

Know this, accept this. The sooner you do, the sooner you will come to terms with your writing. And the sooner you do that, the sooner you can get to writing that next book (and the next one, and the next . . . ), no matter how long/short/bracketed/messy/outlined/pantsed/critiqued/Scrivenered/Worded/slowly written/quickly written/ it ends up being.

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